New “French Quarter Renaissance” resources
Sketch of Natalie
Scott by William Spratling, from the book "Sherwood
Anderson and Other Famous Creoles."
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Now
available are new archival guides, digital collections, and online exhibits
illuminating the "French Quarter Renaissance." After a period of
significant decline, in the 1920s the French Quarter was “rediscovered” by
artists and writers romantically emulating the bohemian societies of New York
and Paris. They moved into the Quarter, began preserving its historic
structures, and spurred the Quarter’s economic revival. Among them were Julius
Weis Friend, Ethel Hutson, Genevieve Pitot, Martha Robinson, Lyle Saxon, Natalie Scott, William Spratling, “Pops” Whitesell, and Ellsworth Woodward.
LaRC
recently released the first online guides to the papers of Julius Weis Friend,
Ethel Hutson, and Martha Robinson. Friend (1894-1962) was the editor of the short-lived but influential literary magazine
“The Double Dealer.” It published the major literary figures of its day (Ernest
Hemingway, Thornton Wilder, Robert Penn Warren, and others) and was one of the
first to publish Faulkner.
Ethel Hutson
(1872–1951) was a leading Louisiana suffragist. A native of Baton Rouge, she
was an artist, arts administrator, and journalist before being named head of
the women’s department at the "New Orleans Item" in 1912. She was
active in the Era Club and its offshoot, the Women’s Suffrage Party of New
Orleans, for which she served as press officer.
Martha Gilmore Robinson (1888–1981) was a New Orleans civic leader
for more than fifty years. Her interests spanned government reform, historic
preservation, and theater, and she was one of the founders of Le Petit Theatre
du Vieux Carre. She also founded the Women’s Citizens’ Union, served as
president of the state League of Women Voters twice, ran unsuccessfully for the
New Orleans City Council in 1954, and was a key figure in blocking the
Riverfront Expressway.
LaRC
also recently released a new online exhibit of another French Quarter Renaissance figure, Natalie Scott, whose papers LaRC
also preserves. Described by Sherwood Anderson as "the best newspaperwoman
in America," Scott wrote for the New Orleans States and published several
books. In addition to being a leading historic preservationist and one of the
founders of Le Petit Theatre du Vieux Carre, Scott was the only woman to serve
in the Red Cross in World War I, World War II, and the Korean War. For her
service in World War II, she received the Croix de Guerre from the French
government.
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