Tuesday, June 2, 2015

New Orleans performance arts


Ewing Poteet (1911-1984) was a musician and an avid supporter of the performance arts in New Orleans.  In 1960, he donated his collection of concert and theatrical programs to Tulane University.  This collection is held in the Louisiana Research Collection as Manuscripts Collection 314.   These programs date predominantly from the late 1940s and the 1950s, and represent productions of a wide variety of sponsoring organizations and performance venues.

Sponsors of these events include: New Orleans Friends of Music, New Orleans Philharmonic-Symphony Society, Civic Theatre, New Orleans Opera Guild, Women’s Guild of New Orleans, New Orleans Opera House Association, Crescent City Concerts Association, Gallery Circle Theatre, New Orleans Community Theatre, Theatre Jefferson, Community Children’s Theatre, NORD, National Catholic Music Educators Association, First Baptist Church, New Orleans Summer “Pop” Concerts, American Guild of Organists, Saint Louis Cathedral, and Temple Sinai.  New Orleans universities represented here include Dillard, Loyala, Xavier and Tulane.   A few organizations and events with programs in this collection were located outside of Louisiana, but the majority are within the city.  

As an added feature, some of the programs carry advertisements for local businesses of the era, especially the Civic Theatre programs.  For example, the programs have ads for Antoine’s Restaurant, D. H. Holmes, Elmer Candy Company, Turci’s Restaurant, Prima’s 500 Club, Chalmette Laundries, Pascal’s Manale Restaurant, Joseph Bruno Furniture, L & L Fur Shop, Shelton Smith Motor Co., Maylie’s Restaurant, Seale Pest Control Corp., the Fair Grounds Corp., Arnaud’s Restaurant, and many others, as well as notices of their upcoming plays.




A sample of other LaRC archival collections relating to musical or theatrical performances in New Orleans may be found by doing subject-keyword searches in the library catalog, qualifying by archival material; a few of the results follow:

Gideon Steiner French Opera House scrapbooks, 1856-1919.
Henry Wehrmann papers, 1868-1951.
Giuseppe Ferrata papers, 1884-1934.
Hooks family collection, 1889-1928.
William P. Lancaster and Alger Lancaster papers, 1892-1965.
Marie Lydia Standish papers, 1894-1953.
Leon Ryder Maxwell papers, 1895-1967.
Louis Panzeri papers, 1898-1981.
William W. and Beverley Peery papers, 1906-1983.
Harry Brunswick Loeb papers, 1911-1956.
Petit Theatre records, 1919-1966.
Group Theatre records, 1926-1938.
Volunteer Committee of the New Orleans Symphony records, 1946-1988.
Henry Kmen papers, 1949-1975.
 New Orleans Friends of Music records, 1956-2001.
Bob Borsodi papers, 1959-2003.    
Musica da Camera records, 1966-1992.
New Orleans Center for Creative Arts records, 1974-2000.

Use your imagination when searching the library catalog-- do a subject-keyword search on your favorite organizations or performers.


Captions:  top, Civic Theatre program for the Sept. 26-Oct 3, 1953 production of  Kind Sir starring Mary Martin and Charles Boyer (collection 314, box 1, folder 1); bottom, a souvenir program in poster format, detailing information about productions of Tennessee Williams works, 27 Wagons Full of Cotton, and Lord Byron’s Love Letter, which were performed Jan. 17, 1955, at Dixon Hall, Newcomb Campus (collection 314 box 1, folder 23).  Images of items in the Louisiana Research Collection may not be re-published without permission.



Posted by Susanna Powers


Monday, May 18, 2015

Wartime letters, Memorial Day

Members of the Landrum and Eldredge families lived in Florida, Alabama, Louisiana, South Carolina and Texas in the nineteenth and twentieth centuries. The Hulse and Eldredge families lived in New Orleans in the twentieth century. Dr. C. A. Landrum (1838-1909) was a physician and dentist who operated drug stores in DeFuniak Springs and Milton, Fla. His wife was Mary Landrum. Their son, Lt. C. A. Landrum (d. 1964), served in World War I.

LaRC Manuscripts Collection 303, Landrum and Eldredge families papers, 1826-1960, contains personal, professional, and military papers of the Landrum and Eldredge and allied families in the southern United States. Included are handwritten and typed family correspondence, later-era notes and typed transcriptions of letters, genealogical information, speeches, certificates, leather-bound diaries, legal papers, real estate papers, financial documents, school papers, a drawing, photocopies of eighteenth-century maps, photographs, telegrams, invitations and other items of social ephemera, journal issues, newspaper clippings and other printed items. Included in the correspondence are Civil War letters of Lucius T. Landrum, and World War I letters of Cassimir A. Landrum from France to his mother, Mary, in Florida. The collection spans into the World War II era also, with a record of early 1940s blood donations to the American National Red Cross by Mrs. I. F. Eldredge of New Orleans, which states, "this certificate signifies that its possessor has rendered a patriotic service by giving his or her own blood for the treatment of the seriously injured."

Below is an undated letter written in France, probably mid-1918, by C. A. Landrum, 2nd Lieut., to his mother in northern Florida.





                                                                  A.L.Co. 118
Dear Mother;
     I have your letter of May 20 and will try to answer your questions while they are fresh.  I have not yet received the razor blades or the Easter candy but still have hopes.
     Charles Cawthon may find me but it is very doubtful.  Ely and I have both been over here for about ten months and have not yet been able to get together although I know where he is.  If another officer is ever sent to my Company I shall try to get leave and pay him a petit visit but while I am the only officer it is impossible.
     I was transferred from my old Co. to the Labor Bureau.  I was just ordered to the new duty.  It is not customary for orders to be accompanied by explainations.
     Perhaps you have seen Secy. Baker's statement that 70% of the Amexforce is combatant; well the Labor Bureau is the answer.  It consists of a few officers and N.C.O's who employ and work quite a few thousands of civillian laborers who are for some reason not available as soldiers; some are from neutral countries, some are too old some too young, and many physically unfit.  My striker wears a stiff leg and a Croix de Guerre (he has two brothers who each wear the latter also); another worker breathes through a metal tube, a third sports a wax nose and yet another has had his ear-drums split by shell concussion.  Add an eye or two missing and an ear burnt almost off by liquid fire and you get a fair picture of my French Company.  But are they down hearted?  Not while the wine shops are open.  And we manage to get enough work out of these men so that each one represents a good American Doughboy released for trench duty.  I had one man in an advanced stage of T.B's but got the Dr. to shove him into a hospital just as soon as I wised up to his symptoms.  It was too late, I suppose, to prolong his life but at least his last hours will be endurable.  Left to himself he would have died like a rat in some sellar.  At present the companies I command are building railroads, but we also do many other things such as building hospitals or barracks unloading freight at the seaports etc.
     It is bad business to get too chummy with any one man in the army because just when you realy know him you are shifted clear out of range.  All of the officers here are men whom I never saw before coming to this place;  The commander of the Chinese Labor Companies here runs around with me quite a bit.  He is a Lieut. Holston who attended the University of Florida and knows Phillip Miller, Mr. Esslinger, Miss Pearl Futch and some other Gainesville people.
     I know it must give you real pleasure to get up an hour sooner and be able to make old Peacock do the same.
     By the way A.L.Co. means Administrative Labor Co.
                    Lovingly,     
                           Son
O.K.
C.A.L.
     P.S. I enclose a request for socks.  If you can get them started in August I ought to receive them before Winter is entirely over.  I have said a dozen so you can send all you have knitted but half that number will do a world of good as I can wear your make, one pair at a time, in the very coldest weather, whereas, army socks give me chill-blains, even when I wear two pair.
                       Son


Caption: undated letter written in France, probably mid-1918, by C. A. Landrum, 2nd Lieut., to his mother in northern Florida.    Manuscripts Collection 303, Box 5, [folder 20].   Images of items held in the Louisiana Research Collection may not be re-published without permission.


Posted by Susanna Powers

Tuesday, April 28, 2015

Multilingual post cards



As a young woman, Rita Marie Boudousquié (1886-1960) of southern Louisiana received and preserved hundreds of post cards with quick personal notes or holiday greetings from friends and family.  In 1917, she married Robustiano Bernard Ferro (1884-1965), a Cuban-born veterinarian.  Over the years, they lived in New Orleans, Lafayette, Wiggins, Kansas City, and Omaha, returning to New Orleans.   As the couple had no children, Dr. Ferro donated his wife’s early-century post card collection to Tulane University in 1965.   LaRC Manuscripts Collection 276 is the Rita Boudousquié Ferro post card collection, 1905-1937.

These post card messages are in handwritten French and/or English.  Printed Spanish-language words appear on post cards from Cuba.  The brief notes sent greetings to Miss Boudousquié on mailed picture post cards depicting scenes in New Orleans, such as streets, buildings, parks and cemeteries, as well as other Louisiana and Mississippi places, other cities in the United States, Cuba, and Europe. Many of the post cards serve as holiday greeting cards. These handwritten or typed cards, dated 1905 to 1909, were addressed to Miss Boudousquié at various places in southern Louisiana, including New Orleans, Independence, Covington, Baton Rouge, and Vacherie Plantation in Baldwin. Also included are several photographs dated 1937, added after the original donation.



Captions:  top, post card with French message from Edmond, featuring Canal Street, mailed in 1908 within the city (Manuscripts Collection 276, box 1, folder 2); bottom,  post card mailed 1906 of the Howard Library, addressed to the Vacherie Plantation in Baldwin, La. written in French with an off-beat English post-script on the image: "Marie Gertrude states that she is glad you are gone." (Manuscripts Collection 276, box 1, folder 2).  Images of items in the Louisiana Research Collection may not be re-published without permission.

Posted by Susanna Powers 

Thursday, March 19, 2015

LaRC books-- Elysian Fields

LaFlaur, Mark Gregory, 1958-
Elysian Fields / Mark LaFlaur.
Kew Gardens, NY : Mid-City Books, [2013]

Howard-Tilton Stacks
PS3613.A3755 E46 2013

Jones Hall Louisiana Research Collection
PS3613.A3755 E46 2013 LACOLL




Reviewers of Mark LaFlaur's award-winning first novel, Elysian Fields, often comment that the writing is reminiscent of various great twentieth-century Southern authors. Certainly the characters, places, subject matter, dialog, and colorful description come out of this rich tradition.  But, other than having New Orleans in common, how could Walker Percy and John Kennedy Toole possibly intersect?   Elysian Fields is not so philosophical or so hilarious.  But, although the author's preliminary disclaimer states that "any resemblance to actual events, locales, or persons, living or dead, is entirely imaginary or coincidental," he does happen to mention the 55 Elysian Fields bus, the McKenzies bakery shop near Gentilly Blvd., Dillard University, K&B (the old name sticks even in 1999) and a number of other reality-based names found in the general zip code of 70122.  Probably only ten percent of the geographic names in this novel are fictional, but they all sound like they would fit right in.  The sense of extreme localized place is very strong.

Another feature of the novel is the nuclear family as main character.  The members of the four-person Weems family share the lead role, although the father has been dead for over ten years.   Time shifts around fluidly along with the thoughts of the elder son, Simpson, a poet who was born a generation or two late.   Fortunately for readers of this novel, this particular slice-of-life does have a definite plot and multiple recurring themes.  

The LACOLL copy  of this book is accessible in the Schiro Reading Room, but there is also a circulating copy in the main Howard-Tilton stacks.



corner of Elysian Fields and Gentilly Blvd. in March 2015



Post and photos by Susanna Powers





Thursday, March 12, 2015

Discoveries in Jones Hall-- 1929 reports from the Cotton Belt


New Orleans journalist A. J. Mann

A. J. Mann (born 1888 or 1889) was a reporter specializing in the New Orleans cotton trade and cotton and ramie growing in the Southern States. He worked at a desk in the Cotton Exchange for the New Orleans daily states, and later sent writings on the cotton trade, Southern weather, and agricultural growing conditions to New York for publication in the Wall Street journal. He and his wife, Barbara, lived for many years on Eleonore St. in uptown New Orleans, from the 1920s through the 1960s. He identified himself as the manager of the New Orleans Cotton News Bureau.

LaRC Manuscripts Collection 268 (A. J. Mann papers, 1917-1952) consists of his professional and collected papers, donated in 1967. Included are typed letters received, as well as outgoing carbons of his responses, a post card, partially printed personal tax documents covering 1926 and 1927, statistical charts about cotton production and acreage, photographs, journal issues, reports, drafts of columns, telegrams, newspaper clippings such as his own published columns, and other printed items. A. J. Mann's columns address the economic response to the Stock Market Crash of late 1929 and its ongoing effects on the cotton trade in New Orleans, agricultural finances across Louisiana, Texas, Alabama, Mississippi, Georgia and South Carolina, and the American economy generally. Correspondents represented are Texas cotton traders W. B. Ray & Co. and other businesses, Dow, Jones & Co., the Shreveport times, and the Wall Street journal. 

This collection, which will be of interest to historical researchers in economics, agriculture, journalism, and communications, was almost completely undocumented and physically located inside the last box of the sequentially previous collection on the shelf.  This week, it has been re-housed in a separate box, cataloged for WorldCat and Voyager, and represented in our finding-aid database. 


Posted by Susanna Powers




Thursday, March 5, 2015

2015 LHA annual meeting in Lafayette


LaRC Public Services Librarian Sean Benjamin giving his presentation at the first session of the Louisiana Historical Association annual meeting, March 5, 2015. 

The 57th annual meeting of the Louisiana Historical Association is being held March 5-7, 2015, at the Ramada Lafayette Conference Center in Lafayette, Louisiana.  LaRC Department Head, Leon Miller, chaired a lively and successful session, "Archival Innovation in Access, Reference, and Teaching."  Presentations were given by Sally K. Reeves of the Office of the Clerk of Civil District Court for the Parish of Orleans; Trish Nugent and Elizabeth Kelly of Loyola University; and Sean Benjamin of Tulane University's Louisiana Research Collection.

Sean's talk described "Too Much of a Good Thing: Managing Archival Reference Overload."  The audience responded warmly to hearing of the advances and challenges in providing access services to the public, and the discussion went past the scheduled time.


Tulane History Dept. graduate student and LaRC assistant, Alix Riviere, delivers her paper, "Enslaved Children and Race Relations in Antebellum Virginia and Louisiana," March 6, 2015.   Alongside Alix on the panel are Gregory K. Weimer of Florida International University and Andrew N. Wegmann, Louisiana State University. 



Photo and post by Susanna Powers

Tuesday, February 24, 2015

1953 post card offer



LaRC Manuscripts Collection 219 is the Jacob Streiffer post card collection, 1900-1960s.  This collection, arranged into small envelopes in one box, by general subject, consists of printed post cards collected by Jacob Streiffer (1902-1969) of New Orleans, who lived at homes on St. Roch Ave. in Gentilly, and later Decatur St. . Most of these post cards date from the early twentieth century and depict street and garden scenes, including of Audubon Park and City Park, the French Quarter, monuments, cemeteries, Carnival, riverfront and other New Orleans views, and African Americans. The post cards in this collection are predominantly drawings or photographs printed in color and unmailed, but a few of the later cards have handwritten or printed messages and were sent through the mail to Jacob Streiffer or his wife.

Caption:  a post card mailed to Mrs. J. Streiffer, March 9, 1953, announces a special offer at the Gentilly Meat Market, 5321 Franklin Ave., New Orlean, La.: 
FREE - - - FREE
TUES - WED - THUR
9th - 10th - 11th ONLY
ABSOLUTELY FREE
NOTHING TO BUY
PRESENT THIS CARD
AT OUR STORE &
RECEIVE FREE ONE
LB. OF OUR HOMEMADE
PORK SAUSAGE

(from Jacob Streiffer post card collection, 1900-1960s, Manuscripts Collection 219, Box 1)
The Gentilly Meat Market had the same address and was possibly located in the same structure of various more recent storefront businesses in this area; see this Google street view shot showing Cousin's Seafood in July 2014.   Images of items in the Louisiana Research Collection may not be re-published without permission.


Posted by Susanna Powers


Wednesday, February 11, 2015

Mardi Gras weekend



The Schiro Reading Room will be closed Saturday, February 14 – Tuesday, February 17, 2015.   For weekend hours of the main Howard-Tilton Memorial Library building, see the hours listing on the library web site.   Lundi Gras and Mardi Gras are Tulane University holidays.

To learn about New Orleans Carnival celebrations of the past, please visit the online Carnival Collection, featuring images of more than 5,500 original float and costume designs held in the Louisiana Research Collection.   The digitized collection ensures preservation of these colorful creative images, and provides open access across the world.   

Have a happy and safe Mardi Gras!


Caption: Krewe of Proteus 1892, costume 33, as preserved in the online Carnival Collection, Louisiana Digital Library and the Tulane Digital Library.   For more about the 1892 Proteus parade costume designs, see Storehouse, featuring Leon Miller's descriptive narration.  Images of items in the Louisiana Research Collection may not be re-published without permission.


Posted by Susanna Powers

Sunday, February 1, 2015

Tokens of love


Long-saved Valentines in Bowman family papers, 1815-1972
 (Manuscripts Collection 175, Box 1, Folder 8) 

The Bowman family papers include a wide variety of subjects and types of archival items which had been collected over most of two centuries.  The family kept handwritten and typed correspondence, post cards, Valentines and other greeting cards, telegrams, diaries, legal and financial documents, diplomas, certificates, a railroad map, medical papers, life insurance documents, a 1918 passport of Ruth Green Bowman, French World War I rationing stamps for bread, American Red Cross papers, poetry, sheet music, church programs, calling cards and other items of social ephemera including mounted flowers and plants, a pipe, photographs, negatives and contact prints, newspaper clippings and other printed items. An 1815 letter concerns the Battle of New Orleans.  Some text is in French, and typed transcriptions accompany some documents, which always helps with legibility. Photographs in the collection depict scenes from World War I; the Alaskan photographs include portraits of Native Americans; the volume holds uncaptioned candid group photographs dated 1972.


Bowman family members lived in Baltimore and New Orleans from the early nineteenth to at least the late twentieth century. Ruth Green Bowman attended New Orleans public schools at the turn of the century; during World War I, she worked with the American Red Cross in France. In the 1910s, Hullin S. Mott went on a Canadian Arctic Expedition and an Alaskan Polar Bear Expedition. Ruth Bowman later married Hullin S. Mott. Ruth Mott attended a literary workshop in 1954. Other individuals and families represented in this collection include: Cottman, Hoffman, Gumbel, Springer, Kenner and Woodruff.


Images of items in the Louisiana Research Collection may not be re-published without permission.


Posted by Susanna Powers








Tuesday, January 20, 2015

LaRC books-- Lost in the cosmos


Browsing the library catalog or the stacks, works by and about Southern author Walker Percy are plentiful, both in the main Howard-Tilton stacks and in Special Collections.   A number of his works have multiple copies in various locations within the library.   Walker Percy’s prevalent descriptive style and subdued mood appear in his famous mid-twentieth century New Orleans novel, The Moviegoer, winner of the 1962 National Book Award for Fiction.

But lesser known are his works classified as nonfiction.    Called “Walker Percy’s Weirdest Book” by Tom Bartlett in the Chronicle of Higher Education (May 10, 2010), Lost in the Cosmos is very unlike The Moviegoer.   However, categorizing this book as nonfiction is also imperfect, because the reader who persists through the first three-fourths of it is treated to a small, beautifully written science fiction story about space travel, astronaut couples, and children born in space who later travel to earth.  The bulk of the book concerns philosophy, semiotics, religion, science, sexuality, and commentary on the individual self and the precarious status of human life on earth.   His heavy use of lengthy scholarly footnotes is simultaneously somewhat serious and self-depricatingly humorous.   Many of the cultural references are now dated; the overall tone of the book ranges from matter-of-fact to humorous.

Lost in the cosmos : the last self-help book / Walker Percy.  New York : Farrar, Straus & Giroux, c1983.

PS3566.E6912 L6 1983

Multiple copies are located in:

      Howard-Tilton stacks, Louisiana Research Collection, Rare Books (William B. Wisdom)  




Posted by Susanna Powers

Friday, January 16, 2015

Martin Luther King holiday weekend

The Schiro Reading Room will be closed Saturday, January 17 through Monday, January 19, 2015, in honor of the Martin Luther King, Jr. holiday.

The annual MLK Week for Peace will also be observed in the coming week.

Before coming for a personal visit to the Schiro Reading Room, it is always a good idea to check our hours page on the LaRC website.

Have a peaceful and good weekend.


Monday, January 5, 2015

Selling New Orleans


LaRC Manuscripts Collection 35 is made up of personal and professional papers of Robert Glenk (1870-1950), who was born in Germany and brought to the United States as an infant. He lived in Philadelphia and later New Orleans. After being educated as a scientist, Robert Glenk worked as a chemist with the Louisiana Sugar Experiment Station, 1899-1904. Mr. Glenk was a founder of the Louisiana State Museum in New Orleans in 1905, and was its curator from 1906 to 1935. He retired from the museum in 1948. His interests were agriculture, horticulture, fairs and festivals, and promotion of New Orleans. He was married to Dr. Clara Theresa Israel Glenk (b. 1873).

Included in the Robert Glenk papers are handwritten and typed correspondence, post cards, telegrams, programs, certificates, diaries, wills, financial documents, items of social ephemera, Glenk family photographs, photographs of Louisiana exhibits at fairs and expositions, manuscripts, class notes, experiments, speeches, menu cards, items relating to professional societies, drawings, scrapbooks, pamphlets, clippings and other printed items. The correspondence received by Robert Glenk is from a wide variety of sources; correspondents include Martin Behrman, Sophie B. Wright, William Beer, Rufus C. Harris, Edmond Souchon, E. A. McIlhenny, Ellsworth Woodward, and Ethel Hutson. The collection also includes a compilation of printed items on growing ramie stalks as an alternative to cotton, items relating to state fairs and world's fairs and expositions, as well as a letter from Huey P. Long to Henry P. Dart.

The collection will be of interest to those researching international fairs, southern field crops, museum history, and the relative economic importance of New Orleans over time.    

Caption: Robert Glenk with Louisiana exhibits at the Panama Exposition in San Francisco in 1915 (coll. 35, v. 26).  One of the signs reads: "New Orleans is the greatest factory city in the southern states and the chief distribution canter of the south."   Images of items in the Louisiana Research Collection may not be re-published without permission.  


Posted by Susanna Powers

Wednesday, December 17, 2014

Happy Holidays!


The Schiro Reading Room will be open during normal hours through Tuesday, December 23, 2014, and then close for Winter Recess.    Normal hours will resume on Monday, January 5, 2015.

Please note, however, that the main Howard-Tilton Memorial Library building has closed down because of construction, and tentatively plans to resume operations on Monday, January 5, 2015.   More information about the construction project is available on the library web site.

Have a safe and happy holiday season, and a prosperous new year!  

Caption:  handmade glass ornaments, Newcomb Art Dept. Holiday Studio Sale, Dec. 5, 2014.

Photograph and post by Susanna Powers

 

Tuesday, December 2, 2014

Visual keepsakes of Minette Sterbcow



Minette Henrietta Dreyfus Sterbcow (1916-1999) was a daughter of Morris Dreyfus and Julia Hirsch Dreyfus of New Orleans.  She collected family photographs throughout her life, along with school and social ephemera and other meaningful papers.  In the late twentieth century, she was a widow with no children, but wished for these items to be donated to Tulane University.  Her visually and culturally rich collection is now held in LaRC as Manuscripts Collection 1068.

Her papers include handwritten and typed correspondence, greeting cards, post cards, poetry, legal documents, biographical and genealogical information, her own and her mother's New Orleans school papers, invitations, announcements, keepsakes, synagogue programs, B'nai B'rith items, numerous family photographs including matted or framed formal portraits created in New Orleans studios as well as candid amateur family photographs, negatives, Carnival and masonic items, printed color posters, advertisements, scrapbooks, newspaper clippings and other printed items. A portion of the collection is devoted to the actor Lionel Adams (d. 1952), an uncle of Minette Sterbcow's whose original name was Moise Hirsch.  The collection includes numerous photographs of Lionel Adams in performance in the New York theater.  Minette continued collecting everything about her well-known uncle’s career, including the advertisements in which he appeared as a model in his later years.  Many of the photographs are undated or uncaptioned, but the collection spans the nineteenth and twentieth centuries, as well as a variety of styles and subjects.

Allied Jewish families or friends represented in the collection include Weil, Leopold, Abramson, Steeg, Goldfarb, Friedman, and others. New Orleans schools represented include Robert M. Lusher School, McDonogh No. 13 and 15, Isidore Newman School, Eleanor McMain High School, Francis T. Nicholls Vocational School for Girls, and L. E. Rabouin Memorial School.

This collection will be of interest to those doing historical research in Jewish studies, genealogy, photography, New Orleans education and business, New Orleans Carnival and other social activities, American theater, and advertising.





Captions: Minette with her husband Lewis Sterbcow in 1942 (Collection 1068, oversized folder 2); advertisement featuring Lionel Adams (oversized folder 3); uncaptioned Carnival festivities (box 6, folder 7); and formal studio photograph of Minette in 1930, by photographer C. Bennette Moore of New Orleans (box 2, folder 6).  Images of items in the Louisiana Research Collection may not be re-published without permission.   


Posted by Susanna Powers


Saturday, November 1, 2014

American soldiers' writings

To honor American soldiers and veterans of all generations, the following is a sample listing of LaRC archival collections which include original soldiers' writings, in their letters or in diaries.  Several represented here spent time as prisoners of war on American soil. Some died during military service, while others lived long celebrated lives.


Manuscripts Collection 416 

Manuscripts Collection 958 

Manuscripts Collection 614 

Manuscripts Collection 400 

Manuscripts Collection 545 

Manuscripts Collection 79 

Manuscripts Collection 916

Manuscripts Collection 246 

Manuscripts Collection 449

Manuscripts Collection 711

Manuscripts Collection 476

Manuscripts Collection 493 

Manuscripts Collection 78 

Manuscripts Collection 3 

Manuscripts Collection 87 

Manuscripts Collection 690

Manuscripts Collection 213 

Manuscripts Collection 104 

Manuscripts Collection 967 

Manuscripts Collection 1065

Manuscripts Collection 1066 

Manuscripts Collection 1067 

Manuscripts Collection 329 

Manuscripts Collection 498 

Manuscripts Collection 580

Manuscripts Collection 815 

Manuscripts Collection 134 

Manuscripts Collection 1011 

Manuscripts Collecton 996

Manuscripts Collection 167 


This list is the result of a search in the library catalog.
Howard-Tilton Memorial Library "Classic Catalog" advanced search. 
Search: Soldiers' writings, American
[all of these]    [subject keyword]
combined with
Type:   Archival material.
Click on the link to learn more about each collection.

The Schiro Reading Room will be open for normal hours on Veterans Day.





Posted by Susanna Powers





Monday, October 13, 2014

LaRC books-- the fiction of Rhodesia Jackson


In her Pecan Candy trilogy, Rhodesia Jackson narrates the life-changing experiences of young Peggy Lavizzo of Orleans Avenue, as she falls in love and marries architect Clint Johnston.   Although both native New Orleanian African-Americans, the two characters are very different in socio-economic background and circumstances, age, family, skin color, education, life experience, religion, and point of view.


Pecan candy & huck-a-bucks / by Rhodesia Jackson.  2nd ed.  New Orleans, LA : Orgena Enterprises, c1995. 
 PS 3560 .A24197 P4 1995 LACOLL
(also in a Kindle ed. From amazon.com)

Sweeter than candy / Rhodesia Jackson.  1st ed.  New Orleans, LA : Orgena, c1997.
 PS 3560 .A24197 S92 1997 LACOLL

Three times sweeter, love, home & family / Rhodesia Jackson.  1st ed.  New Orleans, LA : Orgena Enterprises Ltd., c2000.
[pre-order process in LaRC]
  

Yes, there’s candy-making, mini-snowballs, delicious aromatic food, music, sensual situations, romantic and family love, shopping, generosity, babies, adorable children, a Saints player, prayers, and hilarious vulgar dialogue.   There is even a trip to New York for cultural contrast.   But this is no pre-Katrina fairy tale.   Racial and intra-racial prejudice, male chauvinism, female opportunism, domestic abuse, poverty, materialism, political corruption, homophobia, mental illness, Voodoo curses, drug abuse, AIDS, crime, gun violence, and tragedy are themes throughout the ambitious trilogy.    

The author currently lives in New Orleans, working through websites and continuing her writing in the form of  screenplays and other projects, as cinematic-style dialogue is a strength of her work.    In a 2013 interview here, she comments on the effect of the Katrina disaster on herself, her family, and her writing.  

LaRC collects literary works by Louisiana authors, particularly when the Louisiana setting is of prominent importance in the narrative, verse, or text.  Works of fiction often serve the purpose of cultural preservation; poetry and nonfiction contribute to the knowledge and sense of the times.    


Posted by Susanna Powers


Friday, September 26, 2014

New Orleans art schools' calendars


New Orleans art schools' calendars (LaRC Manuscripts Collection 522) is a grouping of locally-produced calendars featuring years between 1902 and 1938.   It contains original color or monochrome linoleum-block or wood-block prints and printed reproductions designed by various artists and published through art schools in New Orleans. These were compiled into annual calendars, mostly bound with string, and produced through the Newcomb College Art Department, and art classes of the Isidore Newman School, in New Orleans.  With art and music education being presently reduced in the primary and secondary schools, this collection is evidence of a slower-paced era when creativity and patience were valued.

Many of the designs incorporate carved-in students' initials; the collection also includes designs by Mary Frances Baker and Rosalie Urquhart. Subjects depicted in the calendars include New Orleans buildings, bridges, boats, natural scenes, the Shushan Airport, and Mayan masks and figurines. One of the calendars features famous women of New Orleans, and includes portraits of Baroness Pontalba, Margaret Haughery, Sophie B. Wright, Grace King, and Dorothy Dix, plus images of nuns, an African-American woman, and a Mardi Gras queen.

Other similar prints and calendars are cataloged separately in the Louisiana Collection (LACOLL), which is part of the Louisiana Research Collection.



Captions:  top: a printed cover of A New Orleans calendar, 1905, designed by Rosalie Urquhart (Newcomb College), located in 522-1-2;  bottom, an original 1937 print featuring an unnamed African-American woman (art class, Newman School ... "This calendar designed and cut by art class of Newman School, New Orleans, Louisiana"), located in 522-1-13.    Images of items in the Louisiana Research Collection may not be re-published without permission.

Posted by Susanna Powers

Thursday, September 11, 2014

Patriot Day



Tulane remembers 9/11, a joint effort,
as installed on the LBC quad today


photos & post by Susanna Powers

Saturday, August 30, 2014

Labor Day weekend

The Schiro Reading Room will be closed Saturday, August 30 - Monday, September 1, 2014, for Labor Day.    Hours of the main library building are available on the Howard-Tilton Memorial Library website.


Thursday, August 7, 2014

9th anniversary of Katrina



August is Katrina Month in New Orleans.   August 29, 2014, will mark the ninth anniversary of the storm, the flood, and one of the worst disasters in American history.

Creative and informative writing on Katrina continues to be published and collected by the library, and especially by the Louisiana Research Collection.   Recently-retired Tulane University president Scott Cowen has written a scholarly memoir of his presidency which strongly focuses on the disaster and continuing recovery of the university and the city.   Copies are held in the main Howard-Tilton stacks as well as in LaRC:

                Cowen, Scott S.  The inevitable city : the resurgence of New Orleans and the future of urban America / Scott Cowen, with Betsy Seifter ; foreword by Walter Isaacson.  First edition.  New York, NY : Palgrave Macmillan, 2014.

Howard-Tilton Stacks
HT177.N49 C69 2014

Jones Hall Louisiana Research Collection
HT177.N49 C69 2014

Rather than simply taking credit for his own personal leadership during the aftermath of the storm,  Scott Cowen carefully describes a wide variety of examples of individuals and groups who contributed to the direction of recovery.  He doesn’t rewrite the painful and divisive conditions of the 2005/2006. 

“In my seven pre-Katrina years in New Orleans, I was, in a way, a tourist.  But since Katrina, I feel more like I’m “from here.”  I’ve become engaged with everything New Orleans—the music, the food, the artists, the history; the hurricane parties, the Mardi Gras floats, the smell of jasmine, the glitter of the river.  I’ve met remarkable people, like the late Jefferson Parish sheriff Harry Lee, who figured out how to get Tulane’s database files out of a downtown building when the city was under martial law, and like Quint Davis, the mastermind and producer of the New Orleans Jazz and Heritage Festival, who almost singlehandedly brought the city’s music—everything from the Mardi Gras Indians’ chants to Professor Longhair’s blues—to national prominence.  And then there’s Bob Breland, my regular cabdriver, whose colorful turns of phrase, careening sense of humor, and encyclopedic mind for city detail remind me of Ignatius from John Kennedy Toole’s A Confederacy of Dunces.” –p.10-11.

“It’s tempting to blame everything on Ray, but circumstances shape things more than we like to think.  The troubled racial history of the town inevitably surfaced after Katrina, and if it hadn’t been Ray with his chocolate city speech, it would undoubtedly have been someone else stirring the pot.  At the same time, character matters.  Leadership matters.  Our job as civic leaders was to work with the difficult realities, including the realities of racial distrust, political dissension, and the traumatic effects of loss and dislocation.” – p. 38.

 “Urban revitalization requires leaders, both direct and indirect, who are committed to both the daily grind and the visionary goal.  In the end, the resurgence of New Orleans is the result of people who took responsibility and took charge, of leaders from all over who did the work and found the means to achieve what looked like an impossible goal.  And once again in its long, dramatic history, New Orleans has proved itself to be the inevitable city.”   p. 217.


Posted by Susanna Powers